Explore and Inquire: An End-to-End RED Workflow Demonstration
Part One - Runtime: 04:32 - Watch

• Kristin Petrovich, President of HD EXPO introduces the panel
  
• Michael Cioni of PlasterCITY Digital Post introduces himself
  
• Jeffrey Seckendorf, Director of Photography introduces himself
  
• Dino Georgopoulos, Filmmaker introduces himself
  
• Lucas Wilson of Assimilate introduces himself
  
• Ted Schilowitz of RED begins the panel

Explore and Inquire: An End-to-End RED Workflow Demonstration
Part Two - Runtime: 07:51 - Watch

• Dino Georgopoulos shows his rig used on the David Fincher Nike spot
  
• Dino busts the myth that you cannot hot swap batteries
  
• Dino Georgopoulos talk about backing on set
  
• Michael Cioni talks about backing up at the post house
  
• Lucas Wilson discusses the size of RED 4K files
  
• Ted Schilowitz relates the benefits of waiting a day to recycle drives and cards

Explore and Inquire: An End-to-End RED Workflow Demonstration
Part Three - Runtime: 06:35 - Watch

• Jeffrey Seckendorf, Director of Photography talks about his experience with Need for Speed
  
• Question:  Did you choose the format because of the chip size?  What lenses did you use?
  

Explore and Inquire: An End-to-End RED Workflow Demonstration
Part Four - Runtime: 05:25 - Watch

• Ted Schilowitz of RED discusses the film Hybrid
  
• Michael Cioni of PlasterCITY Digital Post discusses the post on Hybrid
  
• Michael Cioni talks about the dynamic range of the RED
  
• Ted Schilowitz of RED talks about the workflow on the TV show Leverage

Explore and Inquire: An End-to-End RED Workflow Demonstration
Part Five - Runtime: 05:29 - Watch

• Ted Schilowitz talks about the shooting style of Leverage
  
• Ted Schilowitz discusses different editing workflows

Explore and Inquire: An End-to-End RED Workflow Demonstration
Part Six - Runtime: 08:41 - Watch

• Michael Cioni relates the workflow for the music video for Saving Abel
  
• Lucas Wilson of Assimilate discusses Scratch and metadata
  
• Ted Schilowitz warns against overexposing the image
  
• Lucas Wilson talks about the finishing learning curves with RED post
  
• Shooting RED and using Scratch versus film and a telecine
  Workflow education is very important

Explore and Inquire: An End-to-End RED Workflow Demonstration
Part Seven - Runtime: 04:28 - Watch

• Dino Georgopoulos talks about camera features that help you get the best exposure
  
• Making ProRes files onset
  
• Jeffrey Seckendorf relates his epiphany while shooting Need for Speed - he was shooting the DI
  
• You gotta do tests and prepare - it is not a magic pill

Explore and Inquire: An End-to-End RED Workflow Demonstration
Part Eight - Runtime: 06:53 - Watch

• Lucas Wilson talks about Steven Soderbergh's DI workflow for the The Argentine and Guerrilla
• Q&A from online viewers:
  • If my delivery is SD DVD, Blu-ray, and web, is there any reason not to shoot in 4K HD mode?
    
  • Do I need to switch to Mac to edit RED footage?
• Q&A from the live audience:
  • What is happening Scarlet and Epic?
    
  • How may units are ordered and shipped?
    
  • Dino, how much does your rig weigh?
    
  • How does back focus work?  Is it like HD?