3D: Creativity, Imagery and Cinematography - Part One
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• Kristin Petrovich - Introduction
• What was the reason you chose to work in 3D? (answered by Jed and Wayne)

3D: Creativity, Imagery and Cinematography - Part Two
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• Discussion about the production of music and concerts shot in 3D ( Rodney and Wayne)
• How do you interpret a 3D project visually? (Toshiaki)
• What cameras were used to shoot "SCAR"? (Toshiaki)
• Rodney talks about the process of shooting concerts in 3D

3D: Creativity, Imagery and Cinematography - Part Three
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• Lighting music Festivals for 3D and working with the live show's lighting people(Wayne)
• How well do the live performers work onstage with 3D cameras?
• Feature production: what films work best?
• More on musical festivals and 3D

3D: Creativity, Imagery and Cinematography - Part Four
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• What is an "Immersive" experience? (Toshiaki)
• Is there anything NOT appropriate for 3D? (Toshiaki, Wayne, Jed, Wayne)

3D: Creativity, Imagery and Cinematography - Part Five
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• Are the other crafts up to speed in the 3D world? (ie editing, makeup) (Wayne, Jed, Toshi)
• Audience Q: Please talk about using stedicam and other rigs (Wayne, Rodney)
• Audience Q: What films should be re-demensionalized (2D to 3D conversion) (Wayne, Jed)

3D: Creativity, Imagery and Cinematography - Part Six
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• Audience Q: What are your views on Exhibition space (theaters) for 3D? (Wayne, Jed)
• Home 3D solutions (Wayne)
• Filming Obama's inauguration in 3D and why it didn't happen
• Audience Q: Talk about Depth of field  and immersion in 3D(Toshi)

3D: Creativity, Imagery and Cinematography - Part Seven
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• Audience Q: Do you make special considerations for lens flare in 3D? (Wayne, Rodney, Toshi, Jed)
• Audience viewing comfort
• Panelists discuss upcoming projects and when we'll see them (Jed, Wayne)